: Most-Cited Full-Text Articles http://pom.sagepub.com/ Most-cited rankings are recalculated at the beginning of the month and are based on citations to articles on this journal site from articles in other HighWire-hosted journals. 2009-11-05 <![CDATA[Music Structure and Emotional Response: Some Empirical Findings]]> http://pom.sagepub.com/cgi/content/short/19/2/110?rss=1&ssource=mfc Oct 1, 1991; 19:110-120
Article]]> John A. Sloboda 1991-10-01 10.1177/0305735691192002 SAGE Publications <![CDATA[Attention to Elements of Music and Effect of Instruction in Vocabulary on Written Descriptions of Music by Children and Undergraduates]]> http://pom.sagepub.com/cgi/content/short/12/1/17?rss=1&ssource=mfc Apr 1, 1984; 12:17-24
Article]]> Patricia J. Flowers 1984-04-01 10.1177/0305735684121002 SAGE Publications <![CDATA[The Effect of Instruction Method on Preference, Achievement and Attentiveness for Indonesian Gamelan Mujsic]]> http://pom.sagepub.com/cgi/content/short/12/1/34?rss=1&ssource=mfc Apr 1, 1984; 12:34-42
Article]]> Patricia K. Shehan 1984-04-01 10.1177/0305735684121004 SAGE Publications <![CDATA[Visual Perception of Performance Manner in the Movements of Solo Musicians]]> http://pom.sagepub.com/cgi/content/short/21/2/103?rss=1&ssource=mfc Apr 1, 1993; 21:103-113
Article]]> Jane W. Davidson 1993-04-01 10.1177/030573569302100201 SAGE Publications <![CDATA[Biographical Precursors of Musical Excellence: An Interview Study]]> http://pom.sagepub.com/cgi/content/short/19/1/3?rss=1&ssource=mfc Apr 1, 1991; 19:3-21
Article]]> John A. Sloboda, Michael J. A. Howe 1991-04-01 10.1177/0305735691191001 SAGE Publications <![CDATA[Emotional Expression in Music Performance: Between the Performer's Intention and the Listener's Experience]]> http://pom.sagepub.com/cgi/content/short/24/1/68?rss=1&ssource=mfc Apr 1, 1996; 24:68-91
Article]]> Alf Gabrielsson, Patrik N. Juslin 1996-04-01 10.1177/0305735696241007 SAGE Publications <![CDATA[A Case Study of a Pianist Preparing a Musical Performance]]> http://pom.sagepub.com/cgi/content/short/17/2/95?rss=1&ssource=mfc Oct 1, 1989; 17:95-109
Article]]> Kacper Miklaszewski 1989-10-01 10.1177/0305735689172001 SAGE Publications <![CDATA[Generating Qualitative and Quantitative Changes in Music Teaching Skills]]> http://pom.sagepub.com/cgi/content/short/9/2/3?rss=1&ssource=mfc Oct 1, 1981; 9:3-16
Article]]> Melanie H. Stuart 1981-10-01 10.1177/030573568192001 SAGE Publications <![CDATA[The Effects of Practice Strategies, Individual Differences in Cognitive Style, and Gender upon Technical Accuracy and Musicality of Student Instrumental Performance]]> http://pom.sagepub.com/cgi/content/short/20/2/112?rss=1&ssource=mfc Oct 1, 1992; 20:112-123
Article]]> Nancy H. Barry 1992-10-01 10.1177/0305735692202002 SAGE Publications <![CDATA[Boys' and Girls' Preferences for Musical Instruments: A Function of Gender?]]> http://pom.sagepub.com/cgi/content/short/24/2/171?rss=1&ssource=mfc Oct 1, 1996; 24:171-183
Article]]> Susan A. O''Neill, Michael J. Boultona 1996-10-01 10.1177/0305735696242009 SAGE Publications <![CDATA[The Assessment of Singing]]> http://pom.sagepub.com/cgi/content/short/22/1/3?rss=1&ssource=mfc Apr 1, 1994; 22:3-19
Article]]> Graham F. Welch 1994-04-01 10.1177/0305735694221001 SAGE Publications <![CDATA[Musical Talent and Visual-Spatial Abilities: A Longitudinal Study]]> http://pom.sagepub.com/cgi/content/short/13/2/99?rss=1&ssource=mfc Oct 1, 1985; 13:99-113
Article]]> M. Hassler, N. Birbaumer, A. Feil 1985-10-01 10.1177/0305735685132004 SAGE Publications <![CDATA[A Schema Theory of How Children Learn to Sing in Tune]]> http://pom.sagepub.com/cgi/content/short/13/1/3?rss=1&ssource=mfc Apr 1, 1985; 13:3-18
Article]]> Graham F. Welch 1985-04-01 10.1177/0305735685131001 SAGE Publications <![CDATA[Perceptual Differences between Expert and Novice Music Listeners: A Multidimensional Scaling Analysis]]> http://pom.sagepub.com/cgi/content/short/21/1/34?rss=1&ssource=mfc Jan 1, 1993; 21:34-47
Article]]> Joyce Eastlund Gromko 1993-01-01 10.1177/030573569302100103 SAGE Publications <![CDATA[Individual Differences in Perception of Applied Music Teaching Feedback]]> http://pom.sagepub.com/cgi/content/short/17/2/110?rss=1&ssource=mfc Oct 1, 1989; 17:110-122
Article]]> Charles P. Schmidit 1989-10-01 10.1177/0305735689172002 SAGE Publications <![CDATA[Verbal and Operant Discrimination-Preference for Tone Quality and Intonation]]> http://pom.sagepub.com/cgi/content/short/9/1/26?rss=1&ssource=mfc Jan 1, 1981; 9:26-30
Article]]> John M. Geringer, Clifford K. Madsen 1981-01-01 10.1177/03057356810090010501 SAGE Publications <![CDATA[Poor Pitch Singing: A Survey of Its Incidence in School Children]]> http://pom.sagepub.com/cgi/content/short/3/2/24?rss=1&ssource=mfc Oct 1, 1975; 3:24-36
Article]]> Ann D. M. Davies, Emlyn Roberts 1975-10-01 10.1177/030573567532004 SAGE Publications <![CDATA[Perceptual Shifts in the Auditory Information Processing of Young Children]]> http://pom.sagepub.com/cgi/content/short/1/2/39?rss=1&ssource=mfc Jun 1, 1973; 1:39-48
Article]]> Desmond Sergeant, Sheila Roche 1973-06-01 10.1177/030573567312006 SAGE Publications <![CDATA[The Imitation of Perceived Rubato: A Preliminary Study]]> http://pom.sagepub.com/cgi/content/short/15/1/58?rss=1&ssource=mfc Apr 1, 1987; 15:58-75
Article]]> Eric Clarke, Cathy Baker-Short 1987-04-01 10.1177/0305735687151005 SAGE Publications <![CDATA[Children's Invented Notations as Measures of Musical Understanding]]> http://pom.sagepub.com/cgi/content/short/22/2/136?rss=1&ssource=mfc Oct 1, 1994; 22:136-147
Article]]> Joyce Eastlund Gromko 1994-10-01 10.1177/0305735694222003 SAGE Publications <![CDATA[Teaching Practice Strategies in the Music Studio: A Survey of Applied Music Teachers]]> http://pom.sagepub.com/cgi/content/short/22/1/44?rss=1&ssource=mfc Apr 1, 1994; 22:44-55
Article]]> Nancy H. Barry, Victoria Mcarthur 1994-04-01 10.1177/0305735694221004 SAGE Publications <![CDATA[The Dimensions of Aesthetic Reactions To Music]]> http://pom.sagepub.com/cgi/content/short/9/1/15?rss=1&ssource=mfc Jan 1, 1981; 9:15-20
Article]]> David J. Hargreaves, Andrew M. Colman 1981-01-01 10.1177/03057356810090010301 SAGE Publications <![CDATA[The Personality Structure of the Musician: II. Identifying a Profile of Traits for the Composer]]> http://pom.sagepub.com/cgi/content/short/9/2/69?rss=1&ssource=mfc Oct 1, 1981; 9:69-75
Article]]> Anthony Kemp 1981-10-01 10.1177/030573568192007 SAGE Publications <![CDATA[The Effects of Visual Stimulus and Instruction on Intonation Accuracy of String Instrumentalists]]> http://pom.sagepub.com/cgi/content/short/8/2/42?rss=1&ssource=mfc Oct 1, 1980; 8:42-49
Article]]> Rita S. Salzberg 1980-10-01 10.1177/030573568082005 SAGE Publications <![CDATA[Vocal Range and Poor Pitch Singing]]> http://pom.sagepub.com/cgi/content/short/7/2/13?rss=1&ssource=mfc Oct 1, 1979; 7:13-31
Article]]> Graham F. Welch 1979-10-01 10.1177/030573567972002 SAGE Publications <![CDATA[Poor Pitch Singing: A Review of the Literature]]> http://pom.sagepub.com/cgi/content/short/7/1/50?rss=1&ssource=mfc Apr 1, 1979; 7:50-58
Article]]> Graham F. Welch 1979-04-01 10.1177/030573567971006 SAGE Publications <![CDATA[Intelligence, Social Status and Musical Abilities]]> http://pom.sagepub.com/cgi/content/short/2/2/32?rss=1&ssource=mfc Oct 1, 1974; 2:32-57
Article]]> Desmond Sergeant, Gillian Vhatcher 1974-10-01 10.1177/030573567422005 SAGE Publications <![CDATA[The Optimum Development of Musical Abilities in the First Years of Life]]> http://pom.sagepub.com/cgi/content/short/1/2/14?rss=1&ssource=mfc Jun 1, 1973; 1:14-20
Article]]> Paul Michel 1973-06-01 10.1177/030573567312002 SAGE Publications <![CDATA[On Hearing Pattern in Melody]]> http://pom.sagepub.com/cgi/content/short/10/1/3?rss=1&ssource=mfc Apr 1, 1982; 10:3-10
Article]]> Lola L. Cuddy 1982-04-01 10.1177/0305735682101001 SAGE Publications <![CDATA[A Comparison of Practice and Self-Report as Sources of Information About the Goals of Expert Practice]]> http://pom.sagepub.com/cgi/content/short/29/1/39?rss=1&ssource=mfc Apr 1, 2001; 29:39-69
Article]]> Roger Chaffin, Gabriela Imreh 2001-04-01 10.1177/0305735601291004 SAGE Publications <![CDATA[Emotional Responses to Music: Implicit and Explicit Effects in Listeners and Performers]]> http://pom.sagepub.com/cgi/content/short/24/1/53?rss=1&ssource=mfc Apr 1, 1996; 24:53-67
Article]]> Mitch Waterman 1996-04-01 10.1177/0305735696241006 SAGE Publications <![CDATA[Professional Musicians' Approaches to the Learning and Interpretation of Music]]> http://pom.sagepub.com/cgi/content/short/23/2/111?rss=1&ssource=mfc Oct 1, 1995; 23:111-128
Article]]> Susan Hallam 1995-10-01 10.1177/0305735695232001 SAGE Publications <![CDATA[Figural and Metric Understanding of Rhythm]]> http://pom.sagepub.com/cgi/content/short/22/2/117?rss=1&ssource=mfc Oct 1, 1994; 22:117-135
Article]]> Karen C. Smith, Lola L. Cuddy, Rena Upitis 1994-10-01 10.1177/0305735694222002 SAGE Publications <![CDATA[The Perception of Musical and Metronomic Tempo Change in Musicians]]> http://pom.sagepub.com/cgi/content/short/8/1/3?rss=1&ssource=mfc Apr 1, 1980; 8:3-12
Article]]> Joel Wapnick 1980-04-01 10.1177/030573568081001 SAGE Publications <![CDATA[The Eye-Hand Span-An Approach to the Study of Sight Reading]]> http://pom.sagepub.com/cgi/content/short/2/2/4?rss=1&ssource=mfc Oct 1, 1974; 2:4-10
Article]]> John Sloboda 1974-10-01 10.1177/030573567422001 SAGE Publications <![CDATA[Relationship of Personal Characteristics to Mood and Enjoyment after Hearing Live and Recorded Music and to Musical Taste]]> http://pom.sagepub.com/cgi/content/short/13/2/81?rss=1&ssource=mfc Oct 1, 1985; 13:81-92
Article]]> Barbara L. Wheeler 1985-10-01 10.1177/0305735685132002 SAGE Publications <![CDATA[Emotional Experience of Music as a Function of Musical Structure]]> http://pom.sagepub.com/cgi/content/short/10/2/7?rss=1&ssource=mfc Oct 1, 1982; 10:7-17
Article]]> Soren Nielzen, Zvonimir Cesarec 1982-10-01 10.1177/0305735682102002 SAGE Publications <![CDATA[Social and Musical Co-Ordination between Members of a String Quartet: An Exploratory Study]]> http://pom.sagepub.com/cgi/content/short/30/2/186?rss=1&ssource=mfc Oct 1, 2002; 30:186-201
Article]]> Jane W. Davidson, James M. M. Good 2002-10-01 10.1177/0305735602302005 SAGE Publications <![CDATA[A Comparison of Perceived Musical Tension and Aesthetic Response]]> http://pom.sagepub.com/cgi/content/short/23/1/81?rss=1&ssource=mfc Apr 1, 1995; 23:81-87
Article]]> William E. Fredrickson 1995-04-01 10.1177/0305735695231006 SAGE Publications <![CDATA[Personality Characteristics of Music Educators and Performers]]> http://pom.sagepub.com/cgi/content/short/22/1/63?rss=1&ssource=mfc Apr 1, 1994; 22:63-74
Article]]> Thomas Martin Wubbenhorst 1994-04-01 10.1177/0305735694221006 SAGE Publications <![CDATA[A Developmental Study of Children's Interpretation of Emotion in Music]]> http://pom.sagepub.com/cgi/content/short/21/1/3?rss=1&ssource=mfc Jan 1, 1993; 21:3-19
Article]]> John Kratus 1993-01-01 10.1177/030573569302100101 SAGE Publications <![CDATA[An Expert-Novice Comparison in Musical Composition]]> http://pom.sagepub.com/cgi/content/short/20/2/124?rss=1&ssource=mfc Oct 1, 1992; 20:124-137
Article]]> Ann Colley, Louise Banton, Julia Down, Anthony Pither 1992-10-01 10.1177/0305735692202003 SAGE Publications <![CDATA[Musical Expression of Moodstates]]> http://pom.sagepub.com/cgi/content/short/19/2/99?rss=1&ssource=mfc Oct 1, 1991; 19:99-109
Article]]> Mark Meerum Terwogt, Flora Van Grinsven 1991-10-01 10.1177/0305735691192001 SAGE Publications <![CDATA[The Role of Self-Efficacy in a Musical Performance Examination: An Exploratory Structural Equation Analysis]]> http://pom.sagepub.com/cgi/content/short/31/1/37?rss=1&ssource=mfc Jan 1, 2003; 31:37-51
Article]]> John McCormick, Gary McPherson 2003-01-01 10.1177/0305735603031001322 SAGE Publications <![CDATA[An Enquiry into the Origins and Nature of Tempo Behaviour: Part II: Experimental Work]]> http://pom.sagepub.com/cgi/content/short/9/2/32?rss=1&ssource=mfc Oct 1, 1981; 9:32-43
Article]]> Peter Brown 1981-10-01 10.1177/030573568192003 SAGE Publications <![CDATA[On the Perception of Emotional Meaning in Music]]> http://pom.sagepub.com/cgi/content/short/9/2/17?rss=1&ssource=mfc Oct 1, 1981; 9:17-31
Article]]> Soren Nielzirn, Zvonimir Cesarec 1981-10-01 10.1177/030573568192002 SAGE Publications <![CDATA[Some Psychological Processes in String Quartets]]> http://pom.sagepub.com/cgi/content/short/7/1/12?rss=1&ssource=mfc Apr 1, 1979; 7:12-18
Article]]> Vivienne M. Young, Andrew M. Colman 1979-04-01 10.1177/030573567971002 SAGE Publications <![CDATA[The Dependence of Pitch on Harmonic Sound Spectra]]> http://pom.sagepub.com/cgi/content/short/6/1/3?rss=1&ssource=mfc Apr 1, 1978; 6:3-12
Article]]> Jurgen Meyer 1978-04-01 10.1177/030573567861001 SAGE Publications <![CDATA[The Development of Musical Experience in Children of Pre-School Age]]> http://pom.sagepub.com/cgi/content/short/4/2/38?rss=1&ssource=mfc Oct 1, 1976; 4:38-45
Article]]> Helmuit Moog 1976-10-01 10.1177/030573567642005 SAGE Publications <![CDATA[Has Musicality A Structure?]]> http://pom.sagepub.com/cgi/content/short/1/1/7?rss=1&ssource=mfc Jan 1, 1973; 1:7-9
Article]]> Frederick S. Whellams 1973-01-01 10.1177/030573567311002 SAGE Publications