Susan Hallam

Editorial
Psychology of Music 2005 33: 131. [PDF]  

Siu-Lan Tan and Matthew P. Spackman

Listeners’ judgments of the musical unity of structurally altered and intact musical compositions
Psychology of Music 2005 33: 133-153. [Abstract] [PDF] [References]  

Catherine Y. Wan and Gail F. Huon

Performance degradation under pressure in music: an examination of attentional processes
Psychology of Music 2005 33: 155-172. [Abstract] [PDF] [References]  

Teresa Lesiuk

The effect of music listening on work performance
Psychology of Music 2005 33: 173-191. [Abstract] [PDF] [References]  

David Collins

A synthesis process model of creative thinking in music composition
Psychology of Music 2005 33: 193-216. [Abstract] [PDF] [References]  

Kevin Holm-Hudson

Book Review: ‘Every Sound There Is’: The Beatles’ Revolver and the Transformation of Rock and Roll.
Psychology of Music 2005 33: 217-220. [PDF]  

Anja Resenbrock

Book Review: Rockin’ Out of the Box: Gender Maneuvering in Alternative Hard Rock
Psychology of Music 2005 33: 220-221. [PDF]  

Wilfried Gruhn

Book Review: Creativity and Music Education
Psychology of Music 2005 33: 221-224. [PDF]  

Charles Byrne

Book Review: Aspects of Teaching Secondary Music: Perspectives on Practice
Psychology of Music 2005 33: 224-227. [PDF]  

Renee Timmers

Book Review: Musical Performance: A Guide to Understanding
Psychology of Music 2005 33: 227-229. [PDF]  

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