Susanne Brandler and Thomas H. Rammsayer

Differences in Mental Abilities between Musicians and Non-Musicians
Psychology of Music 2003 31: 123-138. [Abstract] [PDF] [References]  

Adrian C. North, Ann M. Colley, and David J. Hargreaves

Adolescents’ Perceptions of the Music of Male and Female Composers
Psychology of Music 2003 31: 139-154. [Abstract] [PDF] [References]  

Christina S. Chin

The Development of Absolute Pitch: A Theory Concerning the Roles of Music Training at an Early Developmental Age and Individual Cognitive Style
Psychology of Music 2003 31: 155-171. [Abstract] [PDF] [References]  

Christine Kohlmetz, Reinhard Kopiez, and Eckart Altenmüller

Stability of Motor Programs During a State of Meditation: Electrocortical Activity in a Pianist Playing ‘Vexations’ by Erik Satie Continuously for 28 Hours
Psychology of Music 2003 31: 173-186. [Abstract] [PDF] [References]  

Raymond A.R. Macdonald, Laura A. Mitchell, Teresa Dillon, Michael G. Serpell, John B. Davies, and Euan A. Ashley

An Empirical Investigation of the Anxiolytic and Pain Reducing Effects of Music
Psychology of Music 2003 31: 187-203. [Abstract] [PDF] [References]  

Matthew M. Lavy

Book Reviews
Psychology of Music 2003 31: 205-211. [PDF] [References]  

Roland S. Persson

Book Reviews
Psychology of Music 2003 31: 211-213. [PDF] [References]  

Wilfried Gruhn

Book Reviews
Psychology of Music 2003 31: 213-215. [PDF]  

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