Jane Davidson

Editorial
Psychology of Music 2000 28: 3. [PDF]  

Marco Costa, Pio Enrico Ricci Bitti, and Luisa Bonfiglioli

Psychological Connotations of Harmonic Musical Intervals
Psychology of Music 2000 28: 4-22. [Abstract] [PDF] [References]  

Stefanie Stadler Elmer and Franz-Josef Elmer

A New Method for Analysing and Representing Singing
Psychology of Music 2000 28: 23-42. [Abstract] [PDF] [References]  

Andrew Rostron and Suzanne Bottrill

Are Pianists Different? Some Evidence from Performers and Non-Performers
Psychology of Music 2000 28: 43-61. [Abstract] [PDF] [References]  

Eva Brand

Children's Mental Musical Organisations as Highlighted by Their Singing Errors
Psychology of Music 2000 28: 62-80. [Abstract] [PDF] [References]  

Anna C. Harrison and Susan A. O'Neill

Children's Gender-Typed Preferences for Musical Instruments: An Intervention Study
Psychology of Music 2000 28: 81-97. [Abstract] [PDF] [References]  

Warren Brodsky

Post-Exposure Effects of Music-Generated Vibration and Whole-Body Acoustic Stimulation among Symphony Orchestra Musicians
Psychology of Music 2000 28: 98-115. [Abstract] [PDF] [References]  

Freya Bailes

Book Review
Psychology of Music 2000 28: 116-118. [PDF] [References]  

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