Advanced Search

Journal Navigation

Journal Home

Subscriptions

Archive

Contact Us

Table of Contents

Sign In to gain access to subscriptions and/or personal tools.
Psychology of Music
This Article
Right arrow Full Text (OnlineFirst PDF)
Right arrow All Versions of this Article:
0305735607070382v1
35/2/306    most recent
Right arrow Alert me when this article is cited
Right arrow Alert me if a correction is posted
Services
Right arrow Email this article to a friend
Right arrow Similar articles in this journal
Right arrow Alert me to new issues of the journal
Right arrow Add to Saved Citations
Right arrow Download to citation manager
Right arrowRequest Permissions
Right arrow Request Reprints
Right arrow Add to My Marked Citations
Citing Articles
Right arrow Citing Articles via HighWire
Right arrow Citing Articles via Google Scholar
Right arrow Citing Articles via Scopus
Google Scholar
Right arrow Articles by Rentfrow, P. J.
Right arrow Articles by Gosling, S. D.
Right arrow Search for Related Content
Social Bookmarking
Add to CiteULike   Add to Complore   Add to Connotea   Add to Del.icio.us   Add to Digg   Add to Reddit   Add to Technorati   Add to Twitter  
What's this?

Article

The content and validity of music-genre stereotypes among college students

Peter J. Rentfrow1* Samuel D. Gosling2

1 University of Cambridge, UK
2 University of Texas at Austin, USA

* To whom correspondence should be addressed.


  Abstract

The present research examined the content and validity of stereotypes about fans of 14 different music genres (e.g. country, rap, rock). In particular, we focused on stereotypes concerning fans' personalities (e.g. extraversion, emotional stability), personal qualities (e.g. political beliefs, athleticism), values (e.g. for peace, for wisdom), and alcohol and drug preferences (e.g. wine, hallucinogens). Previous research has shown that music is linked to a variety of psychological characteristics, that music is used to convey information about oneself to observers, and that observers can infer personality on the basis of music preferences. Guided by such research, we predicted and found that individuals have robust and clearly defined stereotypes about the fans of various music genres (Study 1), and that many of these music-genre stereotypes possess a kernel of truth (Study 2). Discussion focuses on the potential role of music-genre stereotypes in self-expression and impression formation.

Key Words: interpersonal perception, music, preferences, personality

First published on February 15, 2007, doi:10.1177/0305735607070382

Psychology of Music 2007;35:306.

A more recent version of this article appeared on April 1, 2007

Add to CiteULike CiteULike   Add to Complore Complore   Add to Connotea Connotea   Add to Del.icio.us Del.icio.us   Add to Digg Digg   Add to Reddit Reddit   Add to Technorati Technorati   Add to Twitter Twitter    What's this?


This article has been cited by other articles:


Home page
 Group Processes Intergroup RelationsHome page
P. J. Rentfrow, J. A. McDonald, and J. A. Oldmeadow
You Are What You Listen To: Young People's Stereotypes about Music Fans
Group Processes Intergroup Relations, May 1, 2009; 12(3): 329 - 344.
[Abstract] [PDF]

Home page
 Group Processes Intergroup RelationsHome page
C. Reyna, M. Brandt, and G. Tendayi Viki
Blame It on Hip-Hop: Anti-Rap Attitudes as a Proxy for Prejudice
Group Processes Intergroup Relations, May 1, 2009; 12(3): 361 - 380.
[Abstract] [PDF]