Psychology of Music

 

Advanced Search

Journal Navigation

Journal Home

Subscriptions

Archive

Contact Us

Table of Contents

Sign In to gain access to subscriptions and/or personal tools.
This Article
Right arrow Full Text (PDF)
Right arrow All Versions of this Article:
0305735607085011v1
36/2/179    most recent
Right arrow References
Right arrow Alert me when this article is cited
Right arrow Alert me if a correction is posted
Services
Right arrow Email this article to a friend
Right arrow Similar articles in this journal
Right arrow Alert me to new issues of the journal
Right arrow Add to Saved Citations
Right arrow Download to citation manager
Right arrowRequest Permissions
Right arrow Request Reprints
Right arrow Add to My Marked Citations
Google Scholar
Right arrow Articles by Cahn, D.
Social Bookmarking
 Add to CiteULike   Add to Connotea   Add to Del.icio.us   Add to Digg   Add to Reddit   Add to Technorati  
What's this?
This version was published on April 1, 2008
Psychology of Music, Vol. 36, No. 2, 179-191 (2008)
DOI: 10.1177/0305735607085011

The effects of varying ratios of physical and mental practice, and task difficulty on performance of a tonal pattern

Dan Cahn

TECHNION INSTITUTE OF TECHNOLOGY, ISRAEL, dnrc{at}netvision.net.il

Sixty undergraduate students who had completed at least one semester of jazz improvisation were assigned to either: (a) physical practice (PP); (b) mental practice (MP); (c) combined 66 percent PP and 33 percent MP (66%PP:33%MP); and (d) combined 33 percent PP and 66 percent MP (33%PP:66%MP) groups. Subjects were to perform a 3—1—7—5 tonal pattern over two difficulty levels of chord progressions. A pre-test, a three-minute practice session, and a post-test were performed for each progression. ANCOVA results revealed significant interaction between groups and task difficulty. Post-hoc t-test revealed superior results for both MP and 33%PP:66%MP on the easy task compared with the hard task. The four groups were collapsed into two groups: (a) PP and 66%PP:33%MP, both high in percentage of PP (HPP); and (b) MP and 33%PP:66%MP, both high in percentage of MP (HMP). Post-hoc t-test revealed a significantly superior performance of the HPP to that of the HMP on the hard task.

Key Words: music performance • practice • rehearsal strategy


Add to CiteULike CiteULike   Add to Connotea Connotea   Add to Del.icio.us Del.icio.us   Add to Digg Digg   Add to Reddit Reddit   Add to Technorati Technorati    What's this?