Advanced Search

Journal Navigation

Journal Home

Subscriptions

Archive

Contact Us

Table of Contents

Sign In to gain access to subscriptions and/or personal tools.
Psychology of Music
This Article
Right arrow Full Text (PDF)
Right arrow References
Right arrow Alert me when this article is cited
Right arrow Alert me if a correction is posted
Services
Right arrow Email this article to a friend
Right arrow Similar articles in this journal
Right arrow Alert me to new issues of the journal
Right arrow Add to Saved Citations
Right arrow Download to citation manager
Right arrowRequest Permissions
Right arrow Request Reprints
Right arrow Add to My Marked Citations
Citing Articles
Right arrow Citing Articles via HighWire
Right arrow Citing Articles via Google Scholar
Right arrow Citing Articles via Scopus
Google Scholar
Right arrow Articles by Timmers, R.
Right arrow Articles by Volpe, G.
Right arrow Search for Related Content
Social Bookmarking
 Add to CiteULike   Add to Complore   Add to Connotea   Add to Del.icio.us   Add to Digg   Add to Reddit   Add to Technorati   Add to Twitter  
What's this?

Listeners' emotional engagement with performances of a Scriabin étude: an explorative case study

Renee Timmers

University of Nijmegen, The Netherlands

Matija Marolt

University of Ljubljana, Slovenia

Antonio Camurri

Gualtiero Volpe

University of Genova, Italy

In an explorative study, the variation in listeners' judgments of the emotionality of three performances of a Scriabinétude was investigated. Three performances of the Scriabinétude were recorded. Video and/or audio recordings were presented to 24 listeners who segmented the music in short phrases and indicated their emotional engagement with the music using a slider. The relation between the performance data and the listeners' responses was analysed as well as the effects of musical training, medium and musical structure. The analyses were done using multiple regression analyses and decision trees. The results confirmed the hypothesized influence of the performer's interpretation, the listener's background and the global phrase structure, though not always in the expected way. In particular the dynamics of the performance correlated with listeners' judgments of emotionality, while tempo correlated more strongly with the indications of phrase structure. This was more clearly the case for nonmusicians than for musicians. The movements of the pianist were related to the dynamics of the performance and seemed to aid the communication of emotional intensity.

Key Words: decision trees • motion • musical training • piano performance • serial correlation

Psychology of Music, Vol. 34, No. 4, 481-510 (2006)
DOI: 10.1177/0305735606067165


Add to CiteULike CiteULike   Add to Complore Complore   Add to Connotea Connotea   Add to Del.icio.us Del.icio.us   Add to Digg Digg   Add to Reddit Reddit   Add to Technorati Technorati   Add to Twitter Twitter    What's this?


This article has been cited by other articles:


Home page
Behav Res MethodsHome page
P. MCALEER and F. E. POLLICK
Understanding intention from minimal displays of human activity
Behav Res Methods, August 1, 2008; 40(3): 830 - 839.
[Abstract] [PDF]