Advanced Search

Journal Navigation

Journal Home

Subscriptions

Archive

Contact Us

Table of Contents

Sign In to gain access to subscriptions and/or personal tools.
Psychology of Music
This Article
Right arrow Full Text (PDF)
Right arrow References
Right arrow Alert me when this article is cited
Right arrow Alert me if a correction is posted
Right arrow Citation Map
Services
Right arrow Email this article to a friend
Right arrow Similar articles in this journal
Right arrow Alert me to new issues of the journal
Right arrow Add to Saved Citations
Right arrow Download to citation manager
Right arrowRequest Permissions
Right arrow Request Reprints
Right arrow Add to My Marked Citations
Citing Articles
Right arrow Citing Articles via HighWire
Right arrow Citing Articles via Google Scholar
Right arrow Citing Articles via Scopus
Google Scholar
Right arrow Articles by Brandler, S.
Right arrow Articles by Rammsayer, T. H.
Right arrow Search for Related Content
Social Bookmarking
 Add to CiteULike   Add to Complore   Add to Connotea   Add to Del.icio.us   Add to Digg   Add to Reddit   Add to Technorati   Add to Twitter  
What's this?

Differences in Mental Abilities between Musicians and Non-Musicians

Susanne Brandler

Georg Elias Müller Institute for Psychology, Göttingen, susanne_brandler{at}yahoo.de

Thomas H. Rammsayer

Georg Elias Müller Institute for Psychology, Göttingen, trammsa{at}uni-goettingen.de

Psychometric performance on different aspects of primary mental abilities (verbal comprehension, word fluency, space, closure, perceptual speed, reasoning, number and memory) was compared in 35 adult musicians and non-musicians. Significant differences could not be revealed for either mean full-scale scores or for specific aspects of intelligence, except verbal memory and reasoning. While performance on verbal memory was reliably higher for the musicians than for the non-musicians, non-musicians performed significantly better on all four subscales of Cattell’s Culture Free Intelligence Test, Scale 3. This latter finding is consistent with the assumption that musical talent may be associated more with intuitive rather than logical thinking. Musicians’ superior performance on verbal memory supports the notion that long-term musical training exerts beneficial effects on verbal memory, which is most likely due to changes in cortical organization.

Key Words: intelligence • musical ability • musicians • reasoning • verbal memory

Psychology of Music, Vol. 31, No. 2, 123-138 (2003)
DOI: 10.1177/0305735603031002290


Add to CiteULike CiteULike   Add to Complore Complore   Add to Connotea Connotea   Add to Del.icio.us Del.icio.us   Add to Digg Digg   Add to Reddit Reddit   Add to Technorati Technorati   Add to Twitter Twitter    What's this?


This article has been cited by other articles:


Home page
Psychology of MusicHome page
M. S. Franklin, K. Sledge Moore, C.-Y. Yip, J. Jonides, K. Rattray, and J. Moher
The effects of musical training on verbal memory
Psychology of Music, July 1, 2008; 36(3): 353 - 365.
[Abstract] [PDF]