Advanced Search

Journal Navigation

Journal Home

Subscriptions

Archive

Contact Us

Table of Contents

Sign In to gain access to subscriptions and/or personal tools.
Psychology of Music
This Article
Right arrow Full Text (PDF)
Right arrow References
Right arrow Alert me when this article is cited
Right arrow Alert me if a correction is posted
Services
Right arrow Email this article to a friend
Right arrow Similar articles in this journal
Right arrow Alert me to new issues of the journal
Right arrow Add to Saved Citations
Right arrow Download to citation manager
Right arrowRequest Permissions
Right arrow Request Reprints
Right arrow Add to My Marked Citations
Citing Articles
Right arrow Citing Articles via HighWire
Right arrow Citing Articles via Google Scholar
Right arrow Citing Articles via Scopus
Google Scholar
Right arrow Articles by Macdonald, R. A. R.
Right arrow Articles by Mitchell, L.
Right arrow Search for Related Content
Social Bookmarking
 Add to CiteULike   Add to Complore   Add to Connotea   Add to Del.icio.us   Add to Digg   Add to Reddit   Add to Technorati   Add to Twitter  
What's this?

An Investigation of Children's Musical Collaborations: The Effect of Friendship and Age

Raymond A. R. Macdonald

Department of Psychology, Glasgow Caledonian University, Cowcaddens Road, Glasgow, U.K., G4 OBARaymond.Macdonald{at}gcal.ac.uk

Dorothy Miell

Department of Psychology, The Open University, Walton Hall, Milton Keynes, U.K., MK7 6AAd.e.miell{at}open.ac.uk

Laura Mitchell

Department of Psychology, Glasgow Caledonian University, Cowcaddens Road, Glasgow, U.K., G4 OBA

This paper presents an investigation of age and friendship effects on the processes and outcomes of children's musical collaborations. Previous research in this area (Miell and MacDonald, 2000) has highlighted that when children work together with a friend they produce compositions that are rated as being better quality than compositions produced by children who do not work with a friend. In addition, children working with a friend have been shown to communicate (both verbally and musically) in a style that is more conducive to good quality collaboration. In the present study, girls worked together on a keyboard composition, and pairs of different ages were compared since the effect that age might have on children's compositions is currently a topical issue (Barrett, 1998). All verbal and musical communication was coded in line with criteria developed and validated previously. The younger girls who worked with a friend produced compositions that were rated as being of a better quality than the compositions produced by those of the same age who did not work with a friend. In addition, the musical and verbal interactions of these friendship pairs were seen as being more characteristic of good quality collaboration. This effect was not found for the older pairs, and possible reasons for this pattern of findings are discussed.

Psychology of Music, Vol. 30, No. 2, 148-163 (2002)
DOI: 10.1177/0305735602302002


Add to CiteULike CiteULike   Add to Complore Complore   Add to Connotea Connotea   Add to Del.icio.us Del.icio.us   Add to Digg Digg   Add to Reddit Reddit   Add to Technorati Technorati   Add to Twitter Twitter    What's this?


This article has been cited by other articles:


Home page
Psychology of MusicHome page
T. Koutsoupidou and D. J. Hargreaves
An experimental study of the effects of improvisation on the development of children's creative thinking in music
Psychology of Music, July 1, 2009; 37(3): 251 - 278.
[Abstract] [PDF]


Home page
Psychology of MusicHome page
R. MacDonald, C. Byrne, and L. Carlton
Creativity and flow in musical composition: an empirical investigation
Psychology of Music, July 1, 2006; 34(3): 292 - 306.
[Abstract] [PDF]


Home page
Improving SchoolsHome page
P. Burnard
Pupil-Teacher Conceptions and the Challenge of Learning: Lessons from a Year 8 Music Classroom
Improving Schools, March 1, 2004; 7(1): 23 - 34.
[Abstract] [PDF]