Psychology of Music

 

Advanced Search

Journal Navigation

Journal Home

Subscriptions

Archive

Contact Us

Table of Contents

Sign In to gain access to subscriptions and/or personal tools.
This Article
Right arrow Full Text (PDF)
Right arrow References
Right arrow Alert me when this article is cited
Right arrow Alert me if a correction is posted
Right arrow Citation Map
Services
Right arrow Email this article to a friend
Right arrow Similar articles in this journal
Right arrow Alert me to new issues of the journal
Right arrow Add to Saved Citations
Right arrow Download to citation manager
Right arrow Add to My Marked Citations
Citing Articles
Right arrow Citing Articles via HighWire
Right arrow Citing Articles via Google Scholar
Google Scholar
Right arrow Articles by McPherson, G. E.
Right arrow Search for Related Content
Social Bookmarking
 Add to CiteULike   Add to Connotea   Add to Del.icio.us   Add to Digg   Add to Reddit   Add to Technorati  
What's this?
Psychology of Music, Vol. 23, No. 2, 142-161 (1995)
DOI: 10.1177/0305735695232003
© 1995 Society for Education, Music, and Psychology Research

The Assessment of Musical Performance: Development and Validation of Five New Measures

Gary E. McPherson

School of Music and Music Education, University of South Wales, Sydney, New South Wales 2052, Australia

This study examined the ability of 101 high school instrumentalists to perform rehearsed music, sight-read, play from memory, pay by ear and improvise. It is organised into three parts: part one describes the development of measures to assess instrumentalists' ability to perform music from memory, by ear and by improvising. In part two, scores on each of these measures are compared with results obtained using (1) the Watkins-Farnum Performance Scale to measure sight-reading ability, and (2) awards in an Australian Music Examinations Board performance examination to indicate subject ability to perform a repertoire of rehearsed music. For part three, 16 variables related to subjects' musical background were examined in order to determine the degree of correlation between these variables and the five performance skills. Results show a pattern of higher correlations between the five types of performance as instrumentalists mature. In addition, important differences between each of the five skills and 16 variables were observed and discussed.


Add to CiteULike CiteULike   Add to Connotea Connotea   Add to Del.icio.us Del.icio.us   Add to Digg Digg   Add to Reddit Reddit   Add to Technorati Technorati    What's this?


This article has been cited by other articles:


Home page
Psychology of MusicHome page
R. Kopiez, C. Weihs, U. Ligges, and J. I. Lee
Classification of high and low achievers in a music sight-reading task
Psychology of Music, January 1, 2006; 34(1): 5 - 26.
[Abstract] [PDF]


Home page
Psychology of MusicHome page
G. E. McPherson
From child to musician: skill development during the beginning stages of learning an instrument
Psychology of Music, January 1, 2005; 33(1): 5 - 35.
[Abstract] [PDF]


Home page
Research Studies in Music EducationHome page
J. G. Geake
An Information Processing Account of Audiational Abilities
Research Studies in Music Education, June 1, 1999; 12(1): 10 - 23.
[Abstract] [PDF]


Home page
Psychology of MusicHome page
W. F. Thompson, C. T. P. Diamond, and L.-L. Balkwill
The Adjudication of Six Performances of a Chopin Etude: A Study of Expert Knowledge
Psychology of Music, October 1, 1998; 26(2): 154 - 174.
[Abstract]


Home page
Research Studies in Music EducationHome page
G. E. McPherson and W. F. Thompson
Assessing Music Performance: Issues and Influences
Research Studies in Music Education, June 1, 1998; 10(1): 12 - 24.
[Abstract] [PDF]